This blog presents a series of articles that tells all about Prince's controversial 1993-1996 era when he was known simply as O(+>. The stories behind his music, his girlfriends and his battle with his record company. Come, The Gold Experience, Chaos And Disorder, Emancipation and all of the side-projects - it's all here, even a bonus interview with Chaka Khan about her 1998 album with O(+>.
søndag den 27. januar 2019
CHAPTER FOUR: ALL THAT GLITTERS AIN'T GOLD
The making of gold
After
having completed his best tour in years, the Act II tour of Europe 26 July – 7 September 1993, O(+>
was back at Paisley Park in Minneapolis. With Warner Bros. unwilling to release
any new albums from him for the time being, Come and The Undertaker collected
dust in the vault.
While on
tour, O(+> had recorded the new song It's About That Walk on 2 September in
Paris, and back home he recorded two new songs on 20 September, The Most Beautiful
Girl In The World and Slave 2 The
Funk. It signaled the beginning of a new creative period for him. On 10 October
1993, he recorded Now, Ripopgodazippa and Shy, and during the rest of October,
Gold, Strawberries, 319, Billy Jack Bitch, Chaos And Disorder, Right The Wrong and Acknowledge Me followed.
319 has
been said by former Prince dancer Cat to originally have been recorded during
the Batman sessions in February/March 1989, but this version features the four NPG
members Michael Bland on drums, Sonny Thompson on bass and Tommy Barbarella and
Morris Hayes on keyboards. It was recorded on 25 October.“There’s a
version of 319 we cut with The NPG Hornz live, all together,” Michael Bland told
in a 2022 Truth In Rhythm interview. “I think it was just a little… just too
organic, like we missed the mark somehow. It wasn’t really what Prince was
looking for, so he retooled it a bit and then, you know… But I think all those
decisions were correct.”
Ricky
Peterson did co-production on the track before The NPG Hornz added horn overdubs
in late October to both 319 and Now.
In 2016,
Ricky Peterson told Star Tribune about his co-production work for Prince who gave
him a cassette with The Most Beautiful Girl In The World and told him to finish
it: “I would rearrange his stuff and make it into more of a song. On The Most
Beautiful Girl In The World, the track had his vocal part, a low undecipherable
piano part, a guitar part and a drum machine. I wrote changes on that song, but
I didn’t ask for Writer’s credit. He would never have given it to me.”
“I had a
couple of other guys come in and play on it,” Ricky Peterson told Truth In
Rhythm in 2023. “It was pretty funny because Prince said, ‘I hate other guitar players,
but this is really good.’ I had a guy named Jimmy Behringer playing on it – a really
great guitar player from Minneapolis. And of course, Michael Bland playing
drums and me on keyboards and I played a little organ on it and brought it back
to him, and he just went, ‘What?!’ And that’s where we really connected and
then he said ‘Okay, you’re doing this.’ I think Gold was his favorite thing I did
for him. Talk about a labor of love. We had a great time on that one.”
More Gold recordings Ripopgodazippa featured Michael Bland on drums and Sonny Thompson on bass, as well as The NPG Hornz with Kathy J. on clarinet. The song was “inspired by an episode on a weight lifting bench,” O(+> said when it got released on the 1998 Crystal Ball collection. In a 2025 interview with Musicians Reveal Podcast on YouTube, Michael Bland confirmed that O(+> would walk in on him and Sonny T. rehearsing and would join in on guitar: “You can thank me and Sonny for P. Control, 3121, Now, Ripopgodazippa.”
O(+>
composed Billy Jack Bitch along with Michael B. Nelson of The NPG Hornz and it
features Lenny Kravitz singing background vocals on the chorus which went
uncredited because Lenny was signed to a different record label. O(+>’s
keyboard player Morris Hayes recalled the recording process in a 2018 interview
with The Current: “So many new
songs happened like where he already kind of know. Some just came out of
grooves. Billy Jack Bitch was like kind of crazy. We just kind of like got this
groove going, and it just turned into this thing. And it was just cool.” The song was
supposedly about The Minneapolis Star Tribune gossip columnist Cheryl "C.J."
Johnson, who regularly wrote negative articles about O(+>.
Chaos And Disorder and Right The Wrong were recorded on the same day, both featuring The NPG and the latter also The NPG Hornz. Acknowledge Me ended with a spoken segment lifted from the 1985 Prince And The Revolution track All My Dreams.
While O(+> was busy in the studio, Tevin Campbell’s I’m Ready album was released 26 October 1993. It featured four Prince produced tracks, one of which was Shhh which was based on a live recording at Olympic Studio in London 18 June 1992 with most of The NPG. O(+> would soon reclaim the song.
Photos: Nicole Nodland
Musical collaborations
In the spring of 1993, O(+> had collaborated with poet and rapper Ninety-9 (also known as Poet
99). He had created music to fit her spoken words, much like he had done with
Ingrid Chavez in 1991. The collaboration with Ninety-9 spawned five tracks that
remain unreleased, but which O(+> would use as samples in many songs from
1994 to 1996. The track Stained Glass (bootlegged as Give God A Try) would get
sampled in both Love Sign (1994) and Face Down (1995). 40 Ounces (bootlegged as
The Boom) would get sampled in remixes of Space (1994). Burns would get
sampled in Days Of Wild (1994), Mad (1994) and Joint 2 Joint (1996). The Mood For Love
(bootlegged as It's Our Music) also got sampled in Days Of Wild
(1994). Finally, Three Shots would get sampled in Big Fun (1994) and The Good Life (Bullets Go
Bang Remix) and Right Back Here In My Arms (both in 1995).
Poet
Ninety-9 had gotten a mention in the lyrics of the song Now and guest-starred at
a O(+> concert in New York 12 December 1994, performing a rap during a
performance of Now. "That's my idea of a beautiful woman: Ninety-9,"
O(+> said before dedicating a performance of The Most Beautiful Girl In The
World to her.
On a trip
to Paris, 10-22 November 1993, O(+> recorded Hide The Bone with The NPG at
the Guillome Tell studio. The track was
co-written with Brenda Lee Eager and Hilliard Wilson. In 1996, another
track co-written by this duo would surface – Somebody’s Somebody on
Emancipation. It is likely that Somebody’s Somebody was actually recorded at
the same time as Hide The Bone.
Also, O(+>’s
own versions of the songs Mad and Funky Design which were given to and rerecorded
by The New Power Generation in November 1994 were probably recorded in November
1993 as well. O(+>’s versions were eventually released as downloads from his
NPG Music Club in February 2001.
Was there a The Dawn album in 1993?
By now,
O(+> had enough new songs to make up an album. When he got the idea to make
NPG Operator segues for The Gold Experience in February 1994, the NPG Operator
would say "welcome 2 The Dawn" more than once which made some fans
believe that the NPG Operator segues were actually recorded for an album
entitled The Dawn. They figured O(+> worked on it in late 1993. But on The
Gold Experience, "The Dawn" is actually the name of the website that the
listener accesses when playing the album.
"Hello.
Welcome to The Dawn - playground for The New Power Generation," the NPG
Operator says at the beginning of The Gold Experience accompanied by the sound
of buttons being pressed on a computer keyboard. "There are over 500
experiences to choose from. Here's a sample."
Like with
Nona Gaye in the Beautiful Experience TV movie, the NPG Operator at The Dawn website
then guides the listener through the "Interactive" Gold Experience
with helpful comments like "you have just accessed The Beautiful
Experience," "this experience is great for dancing and improving
self-esteem"" and "you have just accessed The Hate Experience. Do
you wish to change your entry? Very well. Please enjoy your experience."
O(+>'s use of the term "The Dawn" around this time wasn't necessarily as a name for an album like it would be in 1996, but rather as a name for a spiritual event like "the dawn of a new age or era" or "the dawn of my liberation from my record company" or even just "the dawn of a brand-new day." In the inner sleeve for the 1984 Purple Rain album, he had written: "Thank U all - may U live 2 see the Dawn". Back then, he had recorded an unreleased 15-minute instrumental entitled The Dawn and in September 1986 he had worked on songs for a musical entitled The Dawn that was quickly abandoned. In 1989 it was announced that Prince was working on a movie entitled Graffiti Bridge and after that, he would make a movie entitled The Dawn. But Graffiti Bridge flopped, and The Dawn musical was never made.
Then, 10 years later, the Dawn had finally arrived. "I love
you. Welcome 2 The Dawn," he said at the end of the early version of Orgasm and quoted
it before launching into live performances of Come on the 1993 Act II tour.
"This is the dawning of a new spiritual revolution," he proclaimed at
the beginning of the song Come and repeated it in the cover for The Beautiful
Experience EP. Audiences on his 1994 The
Love Experience Tour were occasionally greeted by O(+> saying "welcome
2 The Dawn" - a phrase that was repeated on the covers for The NPG: Get
Wild and Mayte: If Eye Love U 2night singles in 1995 as well as on The Versace Experience.
In a 1997
interview with Minnesota Monthly, O(+> admitted that even he never fully
understood what “The Dawn” meant. “I just
knew I had to write it back then (on the Purple Rain cover),” O(+> said. “Today
I see that this is what it’s all about: The Dawn is here, a time of greater
consciousness and spiritual understanding.”
In October 1997,
O(+> would clarify his meaning behind the words “The Dawn” in an interview
with Yahoo! Internet Life: “In my humble opinion, “The Dawn” occurs when
spiritual enlightenment takes place. When 1 learns of his or her relationship 2
everything on Earth and the universe.”
“People design their own plans.
That’s when the dawn takes place,” O(+> added in a 1996 Rolling Stone
interview. “The dawn is an awakening of the mind, when I can see best how to
accomplish the tasks I’m supposed to do, I feel completely clear.”
So, The Dawn having arrived seemed to just be an overarching theme for his 1993 to 1996 era of music.
But knowing
that Prince/O(+> was always working on a project, the possibility of him
making a supposedly triple The Dawn album towards the end of 1993 cannot be ruled
out. He certainly had enough material for it. But there is no evidence that
such an ambitious project was in the works at that time. No one reported seeing
it, hearing it or even heard it being talked about.
Instead, in
January 1994 rumors began to circulate that two albums were being readied for
release in 1994. The first, Come, was to be an album by Prince and the other,
Gold, was to be a work by O(+>.
Eligible bachelor seeks…
On 10
December 1993, O(+> had placed advertisements in the British and US press,
including Entertainment Weekly, The Village Voice and New York Magazine. The ad
read: “Eligible bachelor seeks the most beautiful girl in the world to spend
the holidays with.”
It
encouraged all interested to send videos and/or pictures to Paisley Park. The
material sent in response to the advertisement was utilized in the music video for
The Most Beautiful Girl In The World, which was shot 22 January 1994, and on
the single cover.
Originally, a huge and expensive video shoot had been planned to take place in Los Angeles, but the earthquake that hit L.A. on 17 January 1994 put a stop to those plans, resulting in the 22 January video shoot at Paisley Park instead. This was revealed by Rebecca Blake who had directed the music videos for Prince’s 1986 hit single Kiss and his 1991 singles Cream and Diamonds And Pearls. She told biographer Liz Jones for her 1998 book Purple Reign – The Artist Formerly Known As Prince that she had been O(+>’s first choice to shoot the video for The Most Beautiful Girl In The World. “I had already staged and made plans for it to be an enormous production,” she said, “but we were caught in the middle of the Los Angeles earthquake and the whole project on which we had worked so hard, was literally blown to pieces. The one he ended up making where different women are watching themselves achieving their dreams, was pretty hurried and off the cuff.”
In 2016, Carmen
Electra shared a card on Instagram which O(+> had sent her back in 1993 along
with a cassette copy of The Most Beautiful Girl In The World. "I'm sure
many people were told this song was about them too, but I want to dedicate it
to all the women around the world," she wrote. "U are all beautiful."
"The
Most Beautiful Girl In The World is a song that was particularly important to
him," O(+>'s dancer Mayte recalled in her 2017 book My Life With
Prince. "I know of at least three women besides me who believe it was
written specifically for them. I hope every woman who hears it thinks it was written
specifically for her. Because it was. Take a look at the music video. You won't
see me in it. You'll see a collage of girls and women of every age, race and
body type. This was his love song to all of us."
One girl
who did appear in the video was Nona Gaye. She did some recordings with O(+>
in 1993 - a cover of (Got
2) Give It Up written by her father Marvin Gaye for the Madhouse: 24 album, as well as three O(+> songs, Here I Come, Snow Man and A 1,000 Hugs & Kisses. But the only song that would
get released was a cover of A Woman's
Gotta Have It by Bobby Womack on the 1994 1-800-NEW-FUNK collection.
The end of the Paisley Park era
On 1
February 1994, Warner Bros. and Paisley Park Enterprises announced that they were
terminating the Paisley Park Records label, a joint venture between O(+> and
Warner Bros. since 1992. While under O(+>’s sole aegis, the label could
probably have survived for as long as he saw fit, but with Warner Bros. holding
the purse strings, the financial burden proved too great. Apart from Prince
releases, it hadn’t come up with a hit. Albums by Eric Leeds, Carmen Electra,
Mavis Staples and George Clinton had all failed to catch fire. The plush offices
in Century City, which O(+> had never set foot in, were closed and its
twelve staff laid off. “I did not get the feeling that it even mattered to
him,” Marylou Badeaux (Vice-President at Warner Bros.) recalled in the 2004
book Possessed - The Rise And Fall Of Prince by Alex Hahn.
To replace
the Paisley Park Records label as an outlet for side projects, O(+> formed
NPG Records under his Paisley Park Enterprises umbrella.
Supposedly,
a senior Warner Bros. executive told O(+> that he didn’t have it in him to
make another hit record. Arguing that it wasn’t over saturation or the lack of
quality that prevented Pink Cashmere and Peach from becoming hits, but rather
the lack of support from Warner Bros., O(+> was allowed to release The Most
Beautiful Girl In The World independently on NPG Records as part of the Paisley
Park Records closedown agreement.
The Beautiful Experience
In early 1994, O(+> was working on making a movie entitled The Beautiful Experience which featured some of his new music. To coincide with the TV premiere of the movie, O(+> had hoped to release an EP of the same title that included seven songs from the movie.
O(+>: The Most Beautiful Girl In The World single (early 1994)
1. The Most Beautiful Girl In The World (Edit) (4:07)
2. Love 4 1 Another (3:43)
O(+>: The Beautiful Experience EP (early1994)
Track list unknown, but 7-tracks including Come and The Most Beautiful Girl In The World
The song Love 4 1 Another was inspired by the 17 January 1994 earthquake in Los Angeles. It was renamed New World when it was finally released on Emancipation in 1996.
However, Warner Bros. would only allow O(+> to release just one song at this point, so The Beautiful Experience instead became an EP with seven different versions of The Most Beautiful Girl In The World.
In late
January 1994, O(+> made an untitled cassette of songs referred to as The
Gold Album which like the Black Album was to be identified by its cover color. It
included the newly recorded Strength and Days Of Wild, an edit of a 19 minutes
cover of Angie by The Rolling Stones and a cover of The Jam by Graham Central
Station. This configuration included segues, like the tagline “all respect to Larry
Graham” before The Jam and a bit of the Coca Cola theme before Gold. It is
possible it was intended as a companion to the 7-track The Beautiful Experience EP before Warners nixed
it.
O(+>: untitled (late January 1994) 1. Strength 2. Ripopgodazippa 3. Interactive 4. Space 5. Endorphin Machine 6. Days Of Wild 7. Now 8. Angie (The Rolling Stones) 9. 319 10. The Jam (Graham Central Station) 11. Gold
The story behind Eye Hate U
In early
1994, O(+> recorded the song Eye Hate U, which was co-produced by Ricky
Peterson.
O(+>’s keyboard
player Morris Hayes recalled the recording process in a 2018 interview with The
Current: “I happened to come in one day, and Prince was just sitting at the piano,
and he's kind of like going through these chords, and I'm listening to him and
watching him do his thing, and he's like picking it out. As I'm watching him
I'm like, “Wow, this is crazy.” So he gets it kind of worked out, and I tell
him, "Prince, that's crazy. You just made like a million dollars right
now. That's a hit.” I said, "Dude, how do you do that?" He said,
"I really don't know how other people don't know how to do it." I was
like, “That's crazy, man.” And that would be Eye Hate U, and I remember when we
all started to play it. He just kind of let us feel it out, like I had this
crazy chord that I just like - and I hit this chord and he's like, “Yeah, that,
like that, I like that chord.” And he just would like take everybody's input and
roll with it.”
Carmen
Electra admitted in 2016 that the song was written about her. "His brother once
told me Prince was looking at rings when I was still in Minnesota and that he
was going to propose to me. I was so excited and in love," she revealed to
E! News. "One day, Prince asked me if I wanted to work or be a housewife.
I said, “I want to work.” I was only 19 or 20 and he ended up never asking me
to marry him. But, I was with him every day. I needed to leave and be my own
person."
"I told him I wanted to live in LA and he spent
as much time here as he did in Minnesota," Carmen continued. "He
controlled everything, but I loved that about him. How I dressed, the music,
hairstyles. He was genius at all that."
"I don't know one beautiful woman who
didn't want to be with him," she elaborated to GQ. "But it did hurt
me. It hurt me really bad. And I was too young to really communicate with him,
so I just kind of pulled away."
In 2018 she
spelled it out on Instagram: “He
cheated on me a lot I found out later. I was young and didn’t communicate about
it like I should. He always told me I was the only one and eventually I ended
up cheating back with a guy I met in LA. I wish I would have dealt with it
differently but I’m sure u all know he also cheated on me with his (future) x-
wife and she also knew we were together."
"And during that time I went out with a guy - I hadn't slept with this
person - and Prince found out. He said, "I wrote this song about
you," and then he played Eye Hate U," Carmen revealed to GQ. "It
was hard to hear. And it was even harder to hear the parts of the song that
said it could have been a completely different way. Then to say "I hate
you, because I love you" - I literally cried in front of him. I think he
just wanted me to hear it, and to know that he was really upset. Then he flew
me back to Los Angeles."
"He wanted me to move back to Minnesota and I
said no," Carmen told E! News and added on Instagram: "My
heart was broken and I just couldn’t stay quiet anymore."
"I broke it off with him and stayed in LA. I gave
up everything with him to live here and make my own career," Carmen told
E! News. "It was a hard time. I ended up calling him and he hired me to
dance at his club in LA. I made $90 a week. I wasn't his girlfriend anymore,
but I was one of his girls. This was after we split."
"Now that I look back I can’t blame him for
having so many girlfriends. He’s PRiNCE and everybody wanted him," she
wrote on Instagram. "Yes, the song is about me. And as sad as the song is
it’s very beautiful but no one talks about the other songs written about me.
(...) I have not come out and talked about any details with us but I will say
there were many many girls he was with while being with all of us that he kept
closest."
NPG Operator concept In February
1994, O(+> recorded a bunch of remixes of The Most Beautiful Girl In
The World: Beautiful, Beautiful (Extended Club Version), Beautiful Beats, Staxowax,
Sexy Staxophone And Guitar and Flutestramental. Ricky Peterson co-produced
Mustang Mix and Mustang Instrumental. Brian Gallagher of The NPG Hornz recorded
a saxophone version, Brian’s Mix.
O(+>made
a version of the Come track Interactive that included the NPG Operator in February, so the
rest of the NPG Operator segues that would get included on The Gold Experience were probably also
recorded around this time.
“Prince had this conversation with Mo
Ostin, the head of Warner Brothers Records, on the phone, after Prince had
mentioned the Gold
Experience in an interview,” O(+>’s drummer Michael
Bland revealed in a 2018 Tidal Read. “Prince told him that he hadn’t even begun
work on it, and that it was just a concept, and my understanding is that Mo’s
response was, “Well, whatever, it’s ours, anyway.” Prince got off the phone and
was floored. He said, “This guy just told me that whatever ideas I have in my
head are not mine. They belong to Warner Brothers.” And I think that everything
really changed for him after that. His sense of being an artist was being toyed
with from his point of view.”
Gold photos by Nicole Nodland
The recording of Shhh and release of The Most Beautiful Girl In The World
On 13
February 1994, O(+> gave a concert at Paisley Park which was filmed and used in the Beautiful Experience TV movie. It was also bought
and broadcast by Radio Veronica in Holland. It included performances of Interactice
(with NPG Operator), the newly recorded Days Of Wild (with NPG Operator), Now (with NPG Operator),
The Jam by Graham Central Station and Shhh.
Tevin Campbell
attended the show and O(+>’s drummer Michael Bland told Podcast Juice in
2019 that O(+> wanted Tevin Campbell to guest on stage for the performance
of Shhh. “Tevin wanted to do Can We Talk and we didn’t know that. Prince was
like: “Why would I want to play one of the songs I didn’t write for you?”
“(Tevin) didn’t
want to do Shhh so Prince said, “then I’ll do it.” And that’s what happened,”
Michael Bland said. Legend has it that Tevin Campbell afterwards told O(+>
to stop playing “his” song Shhh. Supposedly, O(+> then went straight into
the studio and recorded his own version of it, based on the live arrangement.
“To me it's the definition of a power
ballad in terms of - it was crazy,” keyboard player Morris Hayes recalled about
Shhh in a 2018 interview with The Current. “We used to love listening to old
music and old school type music like the Ohio Players and different types of
things like that and there was a song the Ohio Players did called I Wanna Be
Free and it has this crazy drum solo in it and then it just drops down -
shoop, shoop, shoop - and it just goes to this really smoothed out thing. But
then in the middle of it you got this crazy drum solo that happens out of
nowhere. And I think when we did Shhh, it was a great song Prince wrote for
Tevin and everything and it was cool and we wanted to do it, but we wanted to
put some edge on it. (…) He wanted to play a guitar solo and all this stuff,
but he still wanted to have that broken down smooth part and then bring it up,
like that Ohio Players song. We thought, “This is so cool.” Michael Bland did
this crazy drum solo (…) and the drums sounded like thunder and then all of a
sudden it just breaks down into this thing and that was just one of the
favorites. I loved playing that song - a very complex song for me to play
because of all the parts involved in the vocal samples and things that I had to
fly around. (…) It was like a show song that he put on the album that just kind
of worked out. Because usually what happens with Prince is he has these songs
that he does and then when we get ready to do it live it turns into this other
thing and it just goes up. (…) We learned it and played it like that and then
recorded it that way.”
The day after,
on 14 February 1994, The Most Beautiful Girl In The World was released as the
first single by O(+>. He had stumped up $2 million of his own money and put
the single out on his own NPG Records label. Warner Bros. stated that they were
“accommodating O(+>’s desire to experiment with independent distribution.”
O(+>: The Most Beautiful Girl In The World single (February 1994)
1. The Most
Beautiful Girl In The World (Edit) (4:07)
2.
Beautiful (Edit) (3:57)
O(+>:
The Most Beautiful Girl In The World UK 12” (February 1994)
1. The Most
Beautiful Girl In The World (Edit) (4:07)
2.
Beautiful (Edit) (3:57)
3.
Beautiful (Extended Club Version) (6:25)
4.
Beautiful Beats (3:28)
The single
became a huge world-wide success. It reached number three on the Billboard Pop Chart
and number two on the R&B Chart. O(+> had pulled a hit out of the bag
before, of course, but The Most Beautiful Girl In The World was especially
satisfying for him. It not only proved to Warner Bros. that he could top the
charts; he realized he didn’t need a major label anymore. Now he really had to
get out of the contract with Warner Bros.
The Gold album becomes The Gold Experience During February,
O(+> reworked the untitled album configuration from January into
The Gold Experience and it is most likely that this configuration was the first
to feature the NPG Operator segues. With the 7-track EP of songs from The
Beautiful Experience TV movie having been scrapped, the hits The Most Beautiful
Girl In The World and Acknowledge Me from that project were now included here, as
was the newly recorded Eye Hate U, edging out tracks like Strength and the two
covers on the previous configuration. Acknowledge Me, Billy Jack Bitch and Eye
Hate U were edited for length.
O(+>
removed the drum machine from Shy before including that song and also added
guitar to Gold which Ricky Peterson did some co-production on. “I happen to think Gold is the best song I’ve ever
done,” O(+> told Echoes in a 1995 interview.
This
configuration still featured tracks that had previously been intended for the Come
album like Space and Pheromone and judging from the tape O(+> sent to radio
stations featuring tracks from The Gold Experience, Pheromone featured an intro
with spoken lines taken from a revamped version of the Come track Orgasm now titled Poem. Space may
have featured an introduction by the NPG Operator, because when the song was later
performed live in Monaco, the NPG Operator said, "welcome to the Dawn. You
have just accessed the Space experience. Please enjoy," at the beginning
of the song.
O(+>: The Gold Experience (February 1994) 1. Interactive 2. Endorphinmachine 3. Space 4. Now 5. Acknowledge Me 6. Ripopgodazippa 7. The Most Beautiful Girl In The World 8. 319 9. Shy 10. Billy Jack Bitch 11. Pheromone 12. Eye Hate U 13. Gold
A
configuration was also made where Pheromone and Billy Jack Bitch had swapped
places.
The largest
TV and radio network in Holland, Radio Veronica, began broadcasting a tape O(+>
had put together with tracks from The Gold Experience on 6 March 1994. It
included Days Of Wild which was added to The Gold
Experience that same month. Days Of Wild had been edited for length.
O(+>: The radio tape (early March 1994)
1. Interactive (with NPG Operator) (2:25)
2. NPG
Operator/Days Of Wild (4:03)
3. The
Beautiful Experience Medley (10:32)
4. NPG
Operator/Now (4:46)
5. Acknowledge
Me (5:28)
6. 319
(3:21)
7. Pheromone
(4:36)
The Beautiful
Experience Medley was of the remix versions of The Most Beautiful Girl In The
World that would be released on The Beautiful Experience EP 17 May 1994. The
rest of the tracks were from the Gold Experience album. The tape was also
broadcast by Los 40 Principales in Spain, Tros in the Netherlands and DSR3 in
Switzerland and got bootlegged real quick as was probably intended.
Meanwhile, O(+> chose
to film a live video of Mustang Mix on 22 March intended for airing a month later on BBC’s
Top Of The Pops TV show 30 April 1994.
Work
continued on The Gold Experience with the Come tracks Endorphinmachine, Space and Pheromone being removed as O(+>
decided to go back to the thought of releasing the Come album after all. Interactive featured the NPG Operator announcing the full version of the song on the
Come album of which he submitted a configuration to Warner Bros. in March.
A new version
of The Most Beautiful Girl In The World was recorded. “He ended up redoing the
track or having Morris redo that track for the Gold record, but they still
utilized all my stuff in there,” Ricky Peterson commented in the 2023 Truth In
Rhythm interview. The new version became the album version on the March 1994
configuration of The Gold Experience.
Initially,
the NPG Operator segues were tracked with the songs they preceded like the Poem
segues would be on the final Come album configuration, so there are actually
two versions of the March 1994 configuration of The Gold Experience as an
edition was also made where the NPG Operator segues were tracked individually. The
cover for the first edition was printed in Uptown #21.
O(+>: The Gold Experience (March 1994) 1. Interactive 2. Days Of Wild (4:03) 3. The Most Beautiful Girl In The World 4. Now (4:46) 5. Acknowledge Me (5:27) 6. Ripopgodazippa (4:39) 7. 319 8. Shy (5:03) 9. Billy Jack Bitch (O(+>/Michael B. Nelson) 10. Eye Hate U 11. Gold
O(+>: The Gold Experience (March 1994)
1. NPG
Operator (0:12)
2.
Interactive (2:27)
3. NPG Operator (0:06)
4. Days Of Wild (3:51)
5. NPG Operator
(0:17)
6. The Most
Beautiful Girl In The World (4:25)
7. NPG
Operator (0:19)
8. Now
(4:30)
9.
Acknowledge Me (5:27)
10.
Ripopgodazippa (4:39)
11. NPG
Operator (0:16)
12. 319
(3:19)
13. Shy (5:03)
14. NPG Operator (0:06)
15. Billy
Jack Bitch (5:31)
16. Eye Hate
U (6:00)
17. NPG
Operator (0:37)
18. Gold (7:22)
Box Talk 777
O(+>’s
dancer, Mayte, and band, The NPG, appeared on the music TV channel The Box in a
segment entitled Box Talk 777 advertising The Beautiful Experience TV movie.
Mayte said: “This is the future: We’re gonna have a party (a snippet of Now was
played) and we’ll invite all the beautiful people. Then we’re gonna introduce
three of our new experiences for them (snippets of Interactive, Days Of Wild
and Shhh were played). Don’t worry, we WILL jam. (A snippet of The Jam was
played). And after we release The Beautiful Experience on 14 different
configurations, we’ll rehearse, book and perform the first worldwide
interactive tour entitled Gold. Welcome to the dawn.”
Supposedly this meant that O(+> wanted to release The Most Beautiful Girl In The World in 14 different languages all at the same time. The French singer Ophélie Winter recorded a French version, Le garçon le plus beau dans l’univers, that remains unreleased, Kahoru Kohiruimaki recorded a Japanese version and Mayte’s Spanish ?Quieres ser el mas bello de este mundo? was the B-side of her The Most Beautiful Boy In The World single in the spring of 1994. The number of planned covers may have been reduced to 12, but any other versions that may have been recorded remain unreleased.
During a
visit to Paisley Park, Ophélie Winter also did uncredited background vocals on the
song Chaos And Disorder and added French voice to the beginning of 319 as well
as recorded some songs with music by O(+> that had her talking and singing
like some sultry sex kitten. Apparently, O(+> had ideas of making her a protégée
of his named Oliver because winter in French is “l’hiver,” but the project was
scrapped although not before Oliver participated in a photo shoot with O(+>.
The pictures may have been intended for inclusion in a booklet for The Gold
Experience CD cover.
Ripped off at The Dawn The
Beautiful Experience TV movie premiered on the British Sky One TV channel on 3 April
1994 followed by broadcasts in many other countries. Nona Gaye starred as a
woman who decides to spend a Saturday night on O(+>’s website The Dawn where she is ripped off: Only one song, Interactive (with NPG Operator), for $19.99!
Then she falls
asleep and in her dreams she gets to interact with the website and hear Days Of
Wild, The Jam, Shhh and Now from the 13 February 1994 concert at Paisley Park.
She is also treated to the previously unreleased song Acknowledge Me (Video
Edit) and the video for The Most Beautiful Girl In The World.
The Jam was
the kind of song where, if you had to go to the bathroom or order a pizza like
the character in the movie, this was the time to do it, but the rest of the
songs were first rate, particularly Acknowlegde Me. It had a cool dance video
starring Mayte and hot choreographer Jamie King and was slated to be the
follow-up single to The Most Beautiful Girl In The World if such a thing had
been possible.
Meanwhile, O(+> had been busy in the studio, recording Love Sign with co-lead vocal by Nona Gaye and co-production by Ricky Peterson whose brother Paul Peterson played bass on the track. O(+> also recorded What It Is... for which the lyrics were printed in Uptown #13:
What It Is…
To know the
Way,
We go the
Way
We do the
Way
The way we
do
The things
we do.
It’s all
there in front of you,
But if you
try too hard to see it,
You’ll only
become Confused
I am me,
And you are
you,
As you can
see;
But when
you do
The things
that you can do,
You will
find the Way,
And the Way
will follow you.
Hotel de Paris, Monte Carlo - Photos by Andy Earle for Q
+
The one and only Gold review
On 9 April 1994, O(+> previewed four of his new experiences on Soul Train, lip-synching to The Most Beautiful Girl In The World (Mustang Mix), Now and Acknowledge Me, plus Love Sign guest-starring Nona Gaye.
O(+> brought a copy of The Gold Experience and a copy of Come with him to Monaco where he played some of the tracks to journalist Alan Light from Vibe on 2 May
1994. Alan Light had this to say about The Gold Experience: “The songs are
stripped-down, taut, funky as hell, full of sex and bite. Days of Wild is a
dense, Atomic Dog-style jam with multiple, interlocking bass lines. Now is a
bouncing party romp; 319 is rocking, roaring, and dirty; and Ripopgodazippa is
just dirty. This album is more experimental, more surprising structurally and
sonically (than Come). Hearing the two albums back-to-back, it's clear that the
Prince album may be more commercial than O(+>'s, but it's also more
conventional - as conventional as he gets, anyway.”
Alan Light
continued: “His album covers used to include the phrase “May U live 2 see the
dawn.” This album opens with the words “Welcome 2 the dawn.” (…) “We talked
earlier about the title track to the Gold album, which members of his entourage
were raving about but he didn't play for me. He said then that he's worried
about playing some of the new songs because the bootleggers will have them out
on the market before he will.”
Despite
this reservation, O(+> played Gold anyway during one of the concerts he
played in Monaco and Paris while in Europe. He also played Interactive, Days Of
Wild/Hair by Graham Central Station and Now/Babies Makin’ Babies by Sly And The
Family Stone in a row – all three tracks including the NPG Operator, as well as
Acknowledge Me and The Jam.
On 4 May 1994,
O(+> appeared at the TV transmitted World Music Awards in Monaco, lip-synching
to The Gold Experience album version of The Most Beautiful Girl In The World in
its first public appearance.
Seated next to Whitney Houston and her mother Cissy at the World Music Awards
A rehearsal
at the Canal+ studios in Paris 5 May 1994 included instrumental performances
of 319, Shy, Billy Jack Bitch and Acknowledge Me by The NPG before O(+>
himself joined them on Acknowledge Me and an instrumental version of
Ripopgodazippa.
Too much music?
O(+> received the Living Legend Award at the fourth annual Celebrate The Soul Of American Music Awards in Los Angeles, 7 May 1994. In his thank you speech, O(+> said: “One child got free (The Most Beautiful Girl In The World) and it was truly a beautiful experience. I’m very grateful to Mo Ostin and Lenny Waronker at Warner Brothers for that opportunity. Perhaps one day all the powers that are will realize that it’s better to let a man be all that he can be than to try to limit his output to just what they can handle. “Our sources tell us that there’s just too much music.” Well, my sources, all of you, tell me to be all I can be. For this I am eternally grateful.”
When finalizing
work on the Come album, Interactive was left out, so The Gold Experience now featured
the full version. Also, the video version of The Most Beautiful Girl In The
World was brought back as the album version and the NPG Operator segue preceding
Billy Jack Bitch on the March configuration was moved to before Shy. Finally, the
segueing between Eye Hate U and the NPG Operator preceding Gold is tracked
slightly differently.
O(+>: The Gold Experience (May 1994)
1. NPG
Operator (0:11)
2. Interactive
(3:00)
3. NPG Operator (0:05)
4. Days Of Wild (3:56)
5. NPG
Operator (0:17)
6. The Most
Beautiful Girl In The World (4:34)
7. NPG
Operator (0:19)
8. Now
(4:30)
9.
Acknowledge Me (5:27)
10.
Ripopgodazippa (4:37)
11. NPG
Operator (0:16)
12. 319
(3:21)
13. NPG
Operator (0:09)
14. Shy (5:03)
15. Billy Jack
Bitch (5:31)
16. Eye
Hate U (5:53)
17. NPG
Operator (0:44)
18. Gold
(7:22)
On 17 May
1994, The Beautiful Experience EP was released. It peaked at number 92 on the
Pop Chart and number 29 on the R&B Chart. "Welcome 2 the Dawn, U have
just accessed the Beautiful Experience" it said in the booklet, which also
proclaimed: "This is the dawning of a New spiritual Revolution" as
previously stated in the song Come. It also said "The Exodus Has
Begun" - the title of a new song about O(+>'s struggles with Warner Bros.
and also the title of an album with The NPG which he was working on at the
time.
O(+>: The Beautiful Experience EP (May 1994)
1.
Beautiful (5:55)
2. Staxowax
(5:14)
3. Mustang
Mix (6:19)
4. Flutestramental
(3:35)
5. Sexy
Staxophone And Guitar (3:54)
6. Mustang
Instrumental (3:23)
7. The Most
Beautiful Girl In The World (4:37)
In the US, a couple of singles from The Beautiful Experience were released. The Staxowax single contained edits of two of the versions on The Beautiful Experience EP.
O(+>: The Most Beautiful Girl In The World
Staxowax US single
(1994)
1. Staxowax
(5:01)
2. Sexy
Staxophone And Guitar (3:37)
O(+>: The Most Beautiful Girl In The World
Mustang Mix US
single (1994)
1. Mustang
Mix (6:19)
2. Mustang
Instrumental (3:19)
Also in the
US, two rarities were produced that contained an instrumental version with saxophone
performed by Brian Gallagher of The NPG Hornz. It was titled Brian's Mix on the promo single and Saxophone Version on the cassette single.
O(+>: The Most Beautiful Girl In The World US promo CD (1994)
1. Staxowax
(5:00)
2. Mustang
Mix (6:22)
3. Brian’s
Mix (4:30)
4.
Beautiful (5:55)
5. Original
Mix (4:37)
O(+>: The Most Beautiful Girl In The World
Played By Brian Gallagher US cassette single (1994)
1. The Most
Beautiful Girl In The World (Saxophone Version) (4:30)
2. The Most
Beautiful Girl In The World (Vocal Version) (4:30)
The Love Experience
O(+>
delivered The Gold Experience to Warner Bros. around the same time as Come, 19
May 1994. He proposed that Warner Bros. should release Come by “Prince” and, a
few weeks later, The Gold Experience by “O(+>” and he wanted both to count
toward the fulfillment of his contract. The idea didn’t meet with much
enthusiasm, however. Flooding the market with material was exactly what the
executives wanted to avoid. Nor were they optimistic about releasing music with
an unpronounceable symbol, rather than the powerful “Prince” trademark on the
front cover. They agreed to release Come and they would be happy to release The
Gold Experience, but at the appropriate time. (Ironically, twenty years later
in 2014 Warner Bros. would have no problem releasing the Prince: Art Official
Age and Prince & 3rdeyegirl: Plectrumelectrum albums simultaneously.)
O(+> then
embarked upon a summer tour of clubs in Minneapolis, Miami, Los Angeles and New
York dubbed The Love Experience. The tour lasted from 28 May to 26 July 1994
and included performances of Interactive (short), Days Of Wild/Hair, The Most
Beautiful Girl In The World, Hide The Bone, Now/Babies Makin’ Babies, Acknowledge
Me, Ripopgodazippa, 319 (extended), Billy Jack Bitch, Gold, Mustang Mix, The Jam,
Shhh and Love Sign with Nona Gaye. At this time, Hide The Bone was intended for
release on a "live" single on O(+>’s birthday 7
June 1994, but that single ended up not happening.
During the
final show O(+> played the newly recorded Pussy Control from record. In a
1996 interview with The Globe And Mail, he said the song was “about women taking charge of their sexuality.”
In July 2016 a bootleg DVD of the three shows at Glam Slam Miami 8-10 June 1994 appeared and the soundtrack for the DVDs became available on iTunes.
The Love Sign war
While
O(+> was on tour, promotional copies of Love Sign were delivered to US radio
stations in June 1994. Warner Bros. was very unhappy about it, since the record
company felt they had an agreement with O(+> that he would not release the
song separately from the 1-800-NEW-FUNK compilation album in any configuration.
It would be in conflict with their single release from Come, Letitgo, which he
had refused to shoot a video for. Instead, O(+> had shot a video for Love Sign
and had also produced a maxi single containing seven remixes of the song by
Teddy Riley, Mack and Shock G.
Nona
Gaye & O(+>: Love Sign promo single (June 1994)
1. Love
Sign (Radio Edit) (3:24)
2. Love
Sign (The 1-800 New Funk Version) (4:33)
3. Love
Sign (The Storyboard Video Mix) (5:36)
Nona Gaye & O(+>: Love Sign – The Remixes EP (June 1994)
1. Ted’s Get ‘Em Up Mix (6:30)
2. Shock’s Silky Smooth Mix (3:52)
3. Ted’s Funky Chariot Mix (6:57)
4. Mack Attack Message Mix (4:35)
5. Ted’s Double Trouble Mix (6:57)
6. Ted’s Love Sign Radio Mix (6:22)
7. Shock’s Silky Smooth Instrumental (4:23)
“I said,
OK, listen, there are people shooting and killing each other in the ‘hood,”
O(+> told Q in 1995, “and I think I can do something about it, and put some
money in, and maybe that would be more important than what’s in your Billboard
chart this week. They (Warner Bros.) said no.”
So the Love Sign remixes EP remained unreleased, although the EP got bootlegged, but Shock’s Silky Smooth Mix was officially released as Lovesign (Remix by Shock G.) on Crystal Ball in 1998.
Regardless
of Warner's antipathy towards the song, the Love Sign video premiered on BET 27
June 1994, and 12 July 1994 O(+> performed the song with Nona Gaye on
NBC-TV’s The Today Show. The single wasn’t allowed release, though, so the only
place to get the song was on the 1-800-NEW-FUNK album which was released
on NPG Records 12 August 1994. Love Sign was the only song on the album that
was attributed to O(+> (as a duet with Nona Gaye). The rest of the tracks
were performed by associated artists.
Photos: Nicole Nodland
O(+> gave
the 1-800-NEW-FUNK album his full support and placed an advertisement in Billboard. Still, the
album failed to enter Billboard’s Pop Chart although it got to number 45 on
the R&B Chart. Despite the moderate chart success, O(+>’s organization
claimed that 1-800-NEW-FUNK sold gold (500.000 copies). But
O(+>’s lack of commitment to the Come album, released 16 August 1994, in
favor of the 1-800-NEW-FUNK project had infuriated many Warner Bros. top-level
executives.
Putting Gold in The Vault Meanwhile, with no release of The Gold Experience in sight, O(+> assembled a collection that remains unreleased.
O(+>: The Vault Volume I (summer 1994) 1. Chaos And Disorder (4:13) 2. Listen 2 The Rhythm 3. Now (4:30) 4. Right The Wrong (4:42) 5. Acknowledge Me (5:27) 6. Ripopgodazippa (4:39) 7. The Most Beautiful Girl In The World (4:37) 8. 319 (3:19) 9. Shy (5:04) 10. Billy Jack Bitch (5:31) 11. Eye Hate U (6:12) 12. Gold (7:36)
This Vault configuration was one of the sources for the Outtakes 1993-‘94 bootleg which appeared in 2004. There were no NPG Operator segues on this Vault compilation. Listen 2 The Rhythm was originally recorded as The Rhythm on 6 April 1989 during the Graffiti Bridge sessions. It included lyrics from an abandoned 1987 song lyric entitled Rhythm Angel possibly intended for Sheila E.
O(+>
also made The Vault Volume II and III which along with a then presumably reworked Volume I were offered to
Warner Bros. in late 1995 before spinning into the released Chaos And Disorder
and The Vault… Old Friends For Sale albums in 1996 and ultimately becoming the
3-CD Crystal Ball collection in 1998.
So from the
original The Vault Volume I collection, the song Chaos And Disorder became the
title track of its own 1996 album that also included Right The Wrong while Listen 2
The Rhythm was re-recorded as The Rhythm Of Your Heart for Mayte's 1995 Child Of
The Sun album. Acknowledge Me and Ripopgodazippa carried over to disc 1 of the
1998 Crystal Ball collection. The rest of the tracks from The Gold Experience
ended up getting released a year later when that album was released after all
in 1995.
Revamping the experience Even though
O(+> had just archived the latter half of the Gold Experience tracks on a
Vault compilation, he decided to give the album another shot and did additional
work on it in August 1994. Apparently, he was very pleased with the second half
of the album which he kept as it was, but he replaced the opening track
Interactive with an edit of Pussy Control. O(+> said in the 1998 Crystal Ball booklet that
Interactive "was replaced by the Endorphin Machine on The Gold Experience"
because he "didn't think they worked back 2 back" like they had been
on the February 1994 configuration of The Gold Experience and the March 1994 configuration of Come.
The newly recorded
We March featured co-lead vocals by Nona Gaye and Sonny Thompson. O(+>’s
keyboard player Morris Hayes recalled the song in a 2018 interview with The Current:
“Nona Gaye was a great friend of
ours, and she was really just a wonderful person and when we did that song,
it's crazy because it kind of went through a few different kind of evolutions,
and it really ended up being this real funky thing that we really enjoyed playing
because of the funk that was kind of in it.”
Ripopgodazippa
was replaced by the Come outtake Dolphin. Additional work was done on
Acknowledge Me and this version ended up on the December 1994 NPG: Exodus album
configuration with Sonny T. replacing O(+>’s vocals. The version of The Most
Beautiful Girl In The World that O(+> premiered at the World Music Awards
was brought back from the March configuration. This new album configuration was
intended for release on 20 November 1994.
O(+>: The Gold Experience (August 1994)
1. Pussy Control (5:59)
2. NPG Operator (0:12)
3. Endorphinmachine (3:49)
4. Acknowledge Me (?)
5. We March (?)
6. NPG Operator (0:05)
7. Days Of Wild (3:46)
8. NPG Operator (0:18)
9. The Most Beautiful Girl In The World (4:25)
10. Dolphin (4:59)
11. NPG Operator (0:20)
12. Now (4:30)
13. NPG Operator (0:14)
14. 319 (3:19)
15. NPG Operator (0:10)
16. Shy (5:04)
17. Billy Jack Bitch (5:32)
18. Eye Hate U (5:54)
19. NPG Operator (0:45)
20. Gold (7:23)
O(+> made a single off the album to precede its release. The chosen track was Dolphin of which a radio edit was made and the B-side was Shhh. When the single was shelved, Shhh became an album track instead.
O(+>: Dolphin single (1994) Track list unknown but includes Dolphin (Radio Edit) and Shhh
Photos: Dana Lixenberg
Release
date: Never!
In September
1994, O(+> and Warner Bros. tentatively agreed that The Gold Experience was
going to be released about a week before Christmas 1994. The plan was to
release it on the Tommy Boy label in the US and East West in other territories.
Both labels were wholly owned by Warner Bros. The arrangement would allow
O(+> to work with a smaller label and enable him to get the album out
without letting Warner Bros. handle the marketing and promotion.
The verbal
agreement was never formalized into writing, however, and in the end, O(+> decided
that he didn’t want to go ahead with the plans. One reason being that the record
would not count towards the four albums he still owed Warner Bros.
While these
negotiations were going on, O(+> recorded a medley of his greatest Prince
hits for Warner Bros. entitled Purple Medley. The 11 minutes long track got
released as a single in March 1995 to coincide with The Ultimate Live
Experience Tour of Europe.
In October 1994
O(+> once again changed The Gold Experience. He updated the Come outtake Endorphinmachine
and replaced Acknowledge Me with Shhh. Warner Bros. had asked for the song for Come
in May, but now O(+> put it on The Gold Experience instead. Supposedly, We
March had the same beat as Funky Design at this point, and there was no segue preceding
Days Of Wild.
O(+>: The Gold Experience (13 October 1994)
1. P. Control (5:59)
2. NPG Operator (0:12)
3. Endorphinmachine (4:07)
4. Shhh! (7:18)
5. We March (?) 6. Days Of Wild (3:46) 7. NPG Operator (0:18) 8. The Most Beautiful Girl In The World (4:25) 9. Dolphin (4:59)
10. NPG Operator (0:20)
11. Now (4:30)
12. NPG Operator (0:14)
13. 319 (3:19)
14. NPG Operator (0:10)
15. Shy (5:04)
16. Billy Jack Bitch (5:32)
17. Eye Hate U (5:54)
18. NPG Operator (0:45) 19. Gold (7:23)
As a single off the album, O(+> made The Wild Experience, but supposedly it never got released because an Andy Richardson who got a preview listen of The Gold Experience for New Musical Express published on 11 March 1995 called it the weakest track on the album. “Meant to sound badassed but it just sounds hollow,” he said, and that is widely considered the reason O(+> even removed the song from the album too, much to the dismay of many fans who loved the song.
O(+>: The Wild Experience EP (1994) Track list unknown, but like Gett Off EP only with Days Of Wild
Also on 13
October 1994, a press release by O(+>’s PR company stated that O(+> had
reached the point of no return with Warner Bros. and that due to the conflict the
fans may never get to hear The Gold Experience. “He now feels that his much
publicized $100 million deal may have just been a way to lock him into institutionalized
slavery.”
O(+> was
“anxious to turn in the four albums left on his contract and walk away from a
situation which is causing him considerable stress, both creatively and emotionally.”
Soon after the press release, NPG Records began passing out flyers and posting
messages on the Internet with the release date of “never” for The Gold Experience,
asking fans to continue to petition Warner Bros. to release the album.
The flyers included
the new track listing for The Gold Experience.
Black instead of Gold
Less than
two weeks later, on 25 October 1994 O(+> signed an agreement with Warner Bros.
to release the Black Album which had originally been recalled from release in
December 1987. The release was instigated by the record label whose publicist
Bob Merlis said that they had wanted to put it out for years. The initial deal
proposed to O(+> provided for Warner Bros. to pay him $4 million upfront for
the release of the Black Album in November 1994 and The Gold Experience in
early 1995. The deal further stipulated that O(+> would record a soundtrack
to a to-be-determined Warner Bros. film. The three album deal would count as
two albums toward the remaining four albums of O(+>’s contract. O(+>’s
attorney was en route to the record company to pick up the cheque and sign off
on the papers when O(+> had a last-minute change of mind about the deal, ostensibly
about wanting more money. The attorney advised him that it was a very good deal
and that he would not be able to get more money from the label. The deal was
subsequently cancelled and O(+>’s attorney quit a week later.
The
discussions coincided with a turnover in Warner Bros.’ top management with
Lenny Waronker and Mo Ostin leaving the record company which restricted their
power to make deals. Still, they were able to rescue the Black Album from the
original three-album deal. O(+> received approximately $1 million. However,
discussions about the release of The Gold Experience had to be postponed until
early 1995 when the new Warner Bros. regime had moved in.
The Black Album
was released 22 November 1994. O(+>’s publicist Karen Lee said that he was
“spiritually against” the album and that he had been forced to sign the
agreement. It reached number 47 on the Pop Chart and number 18 on the R&B
Chart.
Warner Bros.’ slave
In November 1994, O(+> was introduced to singer Ashley Davis by NPG keyboard
player Morris Hayes and O(+> recorded the song On Your Own with Ashley on
lead vocal. The song remains unreleased. In 2005, Ashley would work with the
then renamed Prince again under the name Támar for an entire album that also
remains unreleased, although her duet with Prince, Beautiful, Loved And
Blessed, got released on his 3121 album in 2006.
Back in
1994, O(+> released a promo video for Dolphin and on 13 December he
performed the song on CBS’ The Late Show With David Letterman. Like in the
video, O(+> had “slave” written on his cheek. When David Letterman presented
the performance, he said: “The song he will be doing for us tonight is from
this CD right here which is entitled The Gold Experience and I’m told this particular
CD will never be released. So it makes perfect sense that he is here promoting
it tonight.”
Meanwhile,
Danny Goldberg, former manager of Nirvana, was appointed chairman of Warner
Bros. Records. While there was little basis for assuming that Goldberg would be
easier to deal with, the shift in regimes offered the potential of a fresh
start.
In early
1995, O(+> offered the new board on Warner Bros. a live-set that along with
the release of The Gold Experience would fulfill his contract after which he
would release an acoustic set called Heart on NPG Records. However, O(+>
would not allow Warner Bros. to keep the master tapes for The Gold Experience,
so no deal was made.
O(+> was
in Los Angeles on 30 January 1995 to accept an American Music Award Of Merit for
his body of work as Prince. Carmen Electra, Jamie King and the ErotiCity dancers from
O(+>’s Glam Slam club in L. A. performed while a video of his upcoming
Purple Medley single was shown. O(+> himself lip-synched to abbreviated
versions of three songs from the then unreleased Gold Experience album, Billy Jack
Bitch, Eye Hate U and 319, before Nona Gaye presented him with the award.
On 12
February 1995 it was confirmed that there would be O(+> songs in the Paul
Verhoeven-directed film Showgirls due for release by MGM/United Artists in
September 1995. It was reported that O(+> had contributed four songs to the
project, but in the end only two, 319 and Ripopgodazippa, appeared in the film.
Warner Bros. only granted a license to use the songs in the film, not on the soundtrack
album.
O(+>,
who now never appeared in public without “slave” written on his cheek, received
the award for Best International Artist at the Brit Awards, 20 February 1995.
In his thank you speech, he said: “Prince: Best? The Gold Experience: Better.
In concert: Perfectly free. On record: Slave.”
“They put this on my face,” he stated afterwards in an interview with Echoes. “I’m a slave to Warners until they set me free.”
The Ultimate Live Experience?
On 1 March
1995, O(+> gave several interviews to newspapers and music and entertainment
publications while in London. “I could give Warners four albums tomorrow but they
don’t want that,” he told New Musical Express. “I’m going to stay on the road
until the contract ends. I’ve already booked a show for Madison Square Garden
in 1998. I can keep touring until then. I love being on stage, I love playing
and I’m strong enough. I never get tired.”
The Purple
Medley single was released to coincide with O(+>’s Ultimate Live Experience
Tour which opened in London. The video for the medley still went with the
interactive theme of the Beautiful Experience TV movie with a girl watching it
on her computer. It was shown as the opening of O(+>’s shows after which he
took the stage and declared Prince dead and then didn’t play any of the hits –
only mostly newer material.
On BBC TV’s
The Sunday Show 5 March 1995 there was a transmission of O(+> performing
Billy Jack Bitch live from Wembley Arena where the European Gold Experience
tour had started 3 March 1995. It lasted until 31 March 1995. The set-list included Endorphinmachine, The
Jam, Shhh, Days Of Wild/Hair, Now/Babies Makin’ Babies, The Most Beautiful Girl
In The World, Pussy Control, Gold and at most shows a medley of Billy Jack
Bitch, Eye Hate U and 319. Dolphin made a rare appearance. At aftershows,
O(+> also played Beautiful Girl - a new version of Brian's Mix featuring
saxophone by Eric Leeds instead. It was released on the The NPG: Get Wild
single in Europe.
Some
critics bemoaned the lack of hits being played at the shows and O(+> focusing
on the unheard and unknown The Gold Experience instead while hardcore fans
cherished the opportunity to hear O(+>’s new music.
At the
first show in London 3 March 1995, O(+> gave a speech. He said: “I’m gonna
start this motherfucker like I intend to finish – in London, 1999!”
“Since the
last time I’ve seen you,” he continued, “I made seven albums, what do you think
about that? Contrary to rumor it’s all good.”
Those seven
albums were probably Come, The Gold Experience, The New Power Generation:
Exodus, Madhouse: 24, The NPG Orchestra: Kamasutra, Heart and The Vault.
The Remix Experiences
On 12 May 1995,
O(+> met with Warner Bros.’ new top management. The meeting led O(+> and
Warner Bros. to settle their differences, at least for the time being. Danny
Goldberg agreed to release The Gold Experience plus The NPG: Exodus in the US.
In turn, Goldberg believed he had extracted from O(+> a commitment to stop
bashing the label in public.
Although
Goldberg had not committed to any specific timetable for releasing the albums,
O(+> assumed they would be rushed out almost immediately. When this failed to
happen, he believed he had been misled. He felt that Goldberg did not
understand him or his music and “slave” remained emblazoned on his face.
Before turning The Gold Experience over to Warner Bros., O(+> removed Days Of Wild from the album and updated the Ricky Peterson co-produced We March with additional programming and production by Kirk A. Johnson also known as Kirky J. Otherwise the album remained the same as the October 1994 configuration.
O(+>: The Gold Experience (May 1995)
1. P. Control
(5:59)
2. NPG
Operator (0:12)
3. Endorphinmachine
(4:07)
4. Shhh!
(7:18)
5. We March
(4:49)
6. NPG
Operator (0:18)
7. The Most
Beautiful Girl In The World (4:25)
8. Dolphin
(4:59)
9. NPG
Operator (0:20)
10. Now
(4:30)
11. NPG
Operator (0:31)
12. 319 (3:05)
13. NPG
Operator (0:10)
14. Shy
(5:04)
15. Billy
Jack Bitch (5:32)
16. Eye
Hate U (5:54)
17. NPG
Operator (0:45)
18. Gold
(7:23)
While Eric Leeds had done a Quiet Night Mix of Eye Hate U, O(+> had recorded Eye Hate U (Extended Remix), Pussy Control (House Mix) and Pussy Control (Club Mix) by 13 June 1995, intended for a The Hate Experience EP.
O(+>: The Hate Experience EP (1995)
Track list unknown, but includes remixes of Eye Hate U and Pussy Control
A music
video for Pussy Control had been previewed before shows on The Ultimate Live
Experience tour of Europe in March 1995, but it never saw the light of day. It
was filmed at O(+>’s Glam Slam club in Los Angeles on 3 February 1995 with
additional shooting at Glam Slam Miami on 8 June 1995. It followed O(+>
trying to seduce and impress an accomplished woman played by actress Sharon
Ferguson.
O(+> celebrated his 2nd birthday by giving a couple of concerts at Glam Slam Miami 7-8 June 1995. He played the same Gold tracks as on the European tour, but now Days Of Wild no longer included Hair and Now no longer included Babies Makin’ Babies. Supposedly, the birthday show was recorded for a possible live release.
O(+>: The Live Experience (June 1995)
Track list unknown, but recorded live at Glam Slam Miami, Florida, 7 June 1995
Prior to 8 July 1995 O(+> also worked on remixes and edits of The Gold Experience songs for a “soundtrack” to a Versace fashion show during Paris Fashion Days 8-10 July 1995.
O(+>: The Versace Experience (Prelude 2 Gold) cassette (8 July 1995)
1. P. Control (Club Mix) (Edit) (3:04)
2. Shhh! (Edit) (3:54)
3. N.P.G.: Get Wild (In The House Mix) (Edit) (2:14)
4. Eye Hate U (Remix) (3:28) - combines Eye Hate U (Quiet Night Mix) & Eye Hate U (Extended Remix)
5. 319 (Edit) (1:28)
6. Shy (Edit) (2:22)
7. Billy Jack Bitch (Remix Edit) (2:31)
8. Madhouse: Sonny T. Segue (Edit) (0:28)
9. Madhouse: Rootie Kazootie (Edit) (2:37)
10. Chatounette Controle (2:24)
11. P. Control (Control Tempo Edit) (1:23) - the outro of P. Control (House Mix)
12. The NPG Orchestra: Kamasutra Overture #5 (0:43) – later renamed Serotonin
13. N.P.G.: Free The Music (Edit) (1:44)
14. Segue (0:49) – remix of NPG Operator preceding TMBGITW on The Gold Experience
15. Gold (Edit) (3:39)
The Versace Experience got released officially in 2019 on all formats, including CD.
O(+> also made a promo cassette that contained edits of Dolphin and We March. The edit of Dolphin might be the same as the radio edit on the previous unreleased Dolphin single. Both edits remain unreleased. It is unknown which NPG Operator segue that was in between the two tracks.
O(+>: Dolphin promo cassette (late summer 1995) 1. Dolphin (Edit) 2. NPG Operator 3. We March (Edit)
What happened to Days Of Wild?
In mid-July 1995 O(+>’s dancer Mayte was interviewed by Uptown and was asked about why Days Of Wild was no longer on The Gold Experience. “That was taken out, because we have other plans for this song,” she answered. “The flow of the album is really good (now).”
She was also the one who revealed that O(+> had re-done We March: “He changed the music. It sounds much better (now).”
During the rest of 1995, O(+> gave a series of Love 4 One Another concerts at Paisley Park. Besides the usual Gold tracks, he occasionally played Dolphin and added We March to his live repertoire.
In their Autumn 1995 issue, Esquire Gentleman printed an interview with O(+>. It
was revealed that he had been working on an Emancipation album of maybe fifty
new songs which would now be his first album when he was free. He said that
his heart and perhaps his best work were in Emancipation.
This came
as a big surprise to people at Warner Bros. No one knew about it and O(+>’s
statements in the interview regarding his “slavery” were seen as a breach of
his agreement to stop attacking the label. Warner Bros. officials cancelled the
US release of Exodus in retaliation, but the first single from The Gold
Experience, Eye Hate U, was released as planned 12 September 1995. It peaked at
number 12 on the Billboard Pop Chart and number 3 on the R&B Chart despite
there being no video to support the single. A maxi-single was released the
following week, 19 September 1995.
O(+>: Eye Hate U - The Hate Experience single (September 1995)
1. Eye Hate
U (7” Edit w/o Guitar) (3:50)
2. Eye Hate
U (Album Edit) (4:26)
3. Eye Hate
U (Quiet Night Mix By Eric Leeds) (3:55)
4. Eye Hate
U (Extended Remix) (6:17)
5. Eye Hate
U (Album Version) (5:58) – without NPG Operator
On the day of the Eye Hate U single release, 12 September 1995, O(+> recorded Rock and Roll Is Alive! (And It Lives In Minneapolis) which would become the B-side of the next single, Gold. Supposedly the song was recorded in response to the Lenny Kravitz song Rock And Roll Is Dead from Lenny's Circus album which had been released 28 August 1995 and O(+> just wanted his own take rushed out. So even though it was more of an Emancipation era track as O(+> was working on that album at the time, the Gold single was the first opportunity to get it out, leaving some fans perplexed as to why he didn’t choose an actual Gold outtake to be the B-side of that single. O(+> even made a video for Rock and Roll Is Alive! (And It Lives In Minneapolis).
Release of The Gold Experience “Gold
barely came out and that was a huge record. That should have been huge. Huge! A
number 1 hit, man,” co-producer Ricky Peterson exclaimed in a 2023 Truth In
Rhythm interview and put the blame on Warner Brothers: “They didn’t do it because
they were best at it. Blame it on them. But he did it. He was making history
and boy did he ever. That one is something else and it is a lot of people’s
favorite. Gold was a big deal.”
Warner Bros. claimed that the release of The Gold Experience had been rescheduled twice because O(+> failed to deliver the master tapes, but on 26 September 1995 it finally saw the light of day. It has since been speculated that O(+> was actually allowed to keep the masters for the album because of its failure to stay in print like his other Warner Bros. albums.
Although the May 1994 configuration with Interactive, Acknowledge Me and Ripopgodazippa would have been preferable, The Gold Experience was still a pretty good release despite its impact being diluted by its much-delayed release. With O(+> already having promoted and toured in support of the album, many fans already knew most of the songs on the album by heart.
The title of Pussy Control had been changed to P. Control to avoid controversy from retailers who may have refused to sell the album with the word “pussy” printed on the packaging, but the record’s commercial performance still ended up being considered disastrous: Only 530.000 units were sold in the United States with the album reaching number 6 on the Pop Chart and number 2 on the R&B chart, but in long
term worldwide sales, it did sell over a million copies.
Critics generally approved of The Gold Experience, calling it O(+>’s best album since Sign ‘O’ The Times. “The Gold Experience may not be the deepest collection of songs Prince has offered, but it's certainly the loosest - and the most accessible - in quite some time,” wrote Tom Moon in Philadelphia Enquirer. “The Gold Experience is a Prince experience par excellence,” concluded Vibe Magazine. “The Gold Experience fully redeems O(+> as the ruler of his wildly imaginative, funky, sexy kingdom” said Vickie Gilmer in St. Paul Pioneer Press.
Danny Kelly of Q was a little less enthusiastic: “After a succession of breathtaking albums in the '80s, his output has been characterized by aimlessness.” He concluded that The Gold Experience “is still no Purple Rain, Around The World In A Day or Sign ‘O’ The Times, but the gem-to-lint ratio is altogether healthier.”
The final Gold tracks
On 25
November 1995, O(+> revealed at a Paisley Park party that he had actually
made a video for Eye Hate U, but for some strange reason he had decided not to
release it to the general public. A promo video was released for his next
single, though. Gold was released 30 November 1995, but it only reached number
88 on the Pop Chart and number 92 on the R&B Chart.
O(+>:
Gold single
(November 1995)
1. Gold(Edit) (4:43)
2. Rock And
Roll Is Alive! (And It Lives In Minneapolis) (4:34)
3. Eye Hate
U (Extended Remix) (6:17)
O(+>: Gold US promo single (November 1995)
1. Gold (Radio
Edit with Guitar Solo) (4:23)
2. Gold
(Alternate Radio Edit with Guitar Solo) (4:37)
3. Gold
(Radio Edit without Guitar Solo) (4:43)
5. Gold
(Album Version) (7:23)
6. Rock And
Roll Is Alive! (And It Lives In Minneapolis) (4:34)
On 3
December 1995, O(+> lip-synched P. Control (House Mix) on VH-1’s Fashion And
Music Awards. A cassette with the remixes of P. Control was handed out for free
to the VIPs. A version of P. Control (Club Mix) with a different beginning than
the version on the cassette was released on the 1998 Crystal Ball collection.
O(+>: P. Control cassette (December 1995)
1. House Mix (5:47)
2. Club Mix (6:02)
Around November 1995, O(+> produced a new remix of Mustang Mix by Tom
Tucker entitled Mustang Mix ’96. A single was made up intended for a
Valentine’s Day 1996 release, but that ended up not happening.
O(+>: The Most Beautiful Girl In The World
’96 Mix single
(late 1995)
1. Mustang Mix ´96 (4:25)
2. The Most Beautiful Girl In The World (4:37)
In early
1996, O(+> resumed The Gold Experience tour, this time in Japan 8 – 20
January 1996 and on Hawaii 17 – 19 February 1996. Endorphinmachine and Shhh
were now played as a brief medley and P. Control was played in a short medley
with the NPG track Get Wild like in P. Control (House Mix).
On 27 January
1996, VH-1 broadcast the premiere of Love 4 One Another, a TV movie resembling
The Beautiful Experience TV film with dramatic scenes interspersed between live
performances and videos. Love 4 One Another included the videos for Gold and
Rock ‘n’ Roll Is Alive! (And It Lives In Minneapolis), as well as live performances
of Days Of Wild and The Jam filmed at a concert at Paisley Park 28 October 1995.
The film caused quite a stir amongst O(+>’s fans because he stated that “fan”
was short for “fanatic” upon looking it up in a dictionary.
In 1998,
O(+> finally released Acknowledge Me, Ripopgodazippa and Hide The Bone on the
Crystal Ball collection which also included a live version of Days Of Wild. It was
an edit of a 9 December 1995 performance at Paisley Park. NPG keyboard player
Morris Hayes told The Current in 2018 that it was his favorite track on that
collection: “I think that song,
Days of Wild, what it was all about when we did it - we just knew like, ‘bro, this
is it’, because it just had such a groove. It was like a train going down the
tracks. He gave me an organ part just like [sings] and he got a
four-bar section that just grooved - just four bars of solid groove, and he
said, ‘Man, we can play this for 20 minutes. We can just play that circle for
20 minutes and just add on whatever we want to add on to it, throw some breaks
in.’ And it was incredible, man. That song turned out to be one of my favorite
pieces on that record because when we would get to it, we'd be laying for it.
And when it came on, ‘hold on to your wigs’ and we just would break it down to
just those elements and just groove, it would be different every time
because he'd stop in a different section and do different things and play his
bass or play his guitar. It was just fun, and that's what made it so great
to me.”
In 2002, Prince recorded a new live version of Days Of Wild at a concert
in Montreal. It was released as a single.
In 2005, a
live version of We March recorded at Paisley Park 22 October 1995 became
available as a download from Prince’s now defunct NPG Music Club website.
Was reading the thread where (I presume) you got proof that the May 1994 Gold Experience had the full "Interactive", and someone mentioned a config from August 1994 (as stated on the US WB promo) that was the same as the October 1994 one listed, but with Acknowledge Me rather than Shhh. There was also a mention that Prince once put up the album on a FTP server during the "Release Date: Never" thing.
Plus, the May 1994 cover is actually of the booklet back cover. The main cover was in the same magazine (it's near-identical to the final cover but with higher (and larger) potions for the O(+> logo and "The Gold Experience".
Thankyou for your comment. It is Prince Vault that says the May 1994 configuration has the full version of Interactive and I just took their word for it because it makes sense to me. :-) I have not heard of the August 1994 configuration before you just mentioned it now, but it would not surprise me if it was true because Acknowledge Me was considered worthy of a single at the time. :-) Still, it would be nice if we could narrow the source down to something more specific than "someone mentioned" before I start adding it as fact. ;-) I'm sure you're right about the cover picture - I just used the illustration available to me. I don't have the actual magazine. :-)
Thank you very much, Aaron. I consider Neversin a reliable source and I have now updated the Gold chapter with this information - from Revamping the Experience to Black instead of Gold, as well as Acknowledgements. ;-)
I, too, have stumbled upon the configuration that hasn’t been quite mentioned on the website; it’s supposedly from January/February 1994: https://prince.org/msg/7/69174
Hello. Would you be able to republish the chronological recordings of Prince list— at least, from 1993 to early 1994 ("The Dawn" era?). With that being said, thank you indescribably much in advance; excellent work, all in all! Frankly magnificent... With all due respect, The_Ride – the longtime reader of yours
Thank you for your comments and suggestions. I'm considering making a separate blog for the list of chronological recordings in the not too far future. ;-)
UPDATED 18 December 2020: Slight correections have been made about when O(+> recorded with Poet 99, Days Of Wild and how many songs he recorded with Nona Gaye. And O(+>'s own versions of Mad and Funky Design have been placed in November 1993. Thanks to TheSilentMikey. Also, a quote from Michael Bland has been added about the February 1994 performance of Shhh.
UPDATED 28 December 2020: I initially left Purple Medley out on purpose, but now I decided to include it anyway. Look for its story in September 1994 and March 1995. Thanks to TheSilentMikey for inspiring me to include it.
UPDATED 26 July 2021: Mention of the NPG Operator intro for Space has been moved from the April 1994 Gold configuration to the February 1994 configuration.
UPDATED 16 April 2022: A bit of additional information about French singer Ophélie Winter's visit to Paisley Park was added to the Box Talk 777 section thanks to olb99.
UPDATED 28 April 2022: The untitled February 1994 configuration was actually a combined Come single (the first three tracks) and The Vault Volume 1 from summer 1994 (which PrinceVault has listed as a Gold Eperience configuration). Thanks to TheSilentMikey for clarifying that and to VaultCurator for getting the ball rolling. I updated the comments to both the February and August 1994 configurations because of this and it all makes a bit more sense now. After careful consideration and consulting PrinceVault and recording dates in The Chronological Prince Recordings Index, the April 1994 configuration of The Gold Album was also moved to late January 1994 where it is now "untitled cassette" and it all makes a lot more sense.
UPDATED 30 May 2022: A Ricky Peterson quote from Star Tribune about his work on The Most Beautiful Girl In The World was added at the beginning of this chapter.
UPDATED 26 June 2022: A bit of additional info about Ophélie Winter in the Box Talk 777 section. Apparently Prince produced more songs with her besides a French version of The Most Beautiful Girl In The World and wanted her artist name to be Oliver.
UPDATED 17 September 2022: The track times for the March and May 1994 configurations of The Gold Experience were uncovered by VaultCurator revealing that the Ricky Peterson co-produced version of The Most Beautiful Girl In The World was on the March configuration and the video version on the May configuration. Also, the NPG Operator segue preceding Billy Jack Bitch on the March configuration was moved to before Shy on the May configuration. Finally, a version of the March configuration had the NPG Operator segues tracked with the songs they preceded like the Poem segues on the released version of the Come album.
UPDATED 3 January 2023: Additional comment from Ricky Peterson on his work on The Most Beautiful Girl In The World from Truth In Rhythm at the beginning of the chapter.
UPDATED 10 January 2023: A quote about the recording of 319 by Michael Bland from a recent Truth In Rhythm interview was added in the opening "The Making Of Gold" section of this chapter.
UPDATED 11 January 2023: A comment from Ricky Peterson about the album version of The Most Beautiful Girl In The World in the "The Gold Album becomes The Gold Experience" section and a comment from him about Gold "should've been huge" in "The release of the Gold Experience" section towards the end of this chapter.
UPDATED 23 January 2023: Mention of the music video for Pussy Control in connection with the 1995 The Hate Experience EP. Thanks to me suddenly remembering the preview on the Gold Tour and then looking it up on PrinceVault.
UPDATED 23 July 2023: Acknowledge Me was updated for the August 1994 Gold Experience configuration. The released versions of Endorphinmachine and We March made theIr debut Gold Experience inclusions on the October 1994 configuration. Thanks to THE ARTIST for bringing this vital information to me.
UPDATED 4 October 2023: A quote from Rebecca Blake about the originally planned video shoot for The Most Beautiful Girl In The World was added to the section Eligible bachelor seeks...
UPDATED 20 February 2024: We March was not updated for the October 1994 configuration of The Gold Experience, but for the 1995/final configuration and the text has been updated accordingly. Thanks to VasChristian.
UPDATED 21-22 February 2024: Mention af a Dolphin single was added just after the August 1994 configuration of The Gold Experience. Thanks to JorisE73. Mention of a Dolphin promo cassette was added right after The Versace Experience in 1995 thanks to Mr.Z who pointed me to its PrinceVault entry.
UPDATED 15 April 2024: Mention of Listen 2 The Rhythm was moved from the first two sections at the beginning of this chapter to the Putting Gold In The Vault section.
UPDATED 21 June 2024: Mention of The Wild Experience EP was inserted right after the 13 October 1994 configuration of The Gold Experience. Thanks to Neversin.
UPDATED 25 January 2025: A new Michael Bland quote about the recording of Now and Ripopgodazippa from Musicians Reveal Podcast was added to this chapter's second section titled More Gold Recordings.
Was reading the thread where (I presume) you got proof that the May 1994 Gold Experience had the full "Interactive", and someone mentioned a config from August 1994 (as stated on the US WB promo) that was the same as the October 1994 one listed, but with Acknowledge Me rather than Shhh. There was also a mention that Prince once put up the album on a FTP server during the "Release Date: Never" thing.
SvarSletPlus, the May 1994 cover is actually of the booklet back cover. The main cover was in the same magazine (it's near-identical to the final cover but with higher (and larger) potions for the O(+> logo and "The Gold Experience".
Thankyou for your comment. It is Prince Vault that says the May 1994 configuration has the full version of Interactive and I just took their word for it because it makes sense to me. :-) I have not heard of the August 1994 configuration before you just mentioned it now, but it would not surprise me if it was true because Acknowledge Me was considered worthy of a single at the time. :-) Still, it would be nice if we could narrow the source down to something more specific than "someone mentioned" before I start adding it as fact. ;-) I'm sure you're right about the cover picture - I just used the illustration available to me. I don't have the actual magazine. :-)
SletBetter late than never....
SletInfo source: https://prince.org/msg/7/14959
Thank you very much, Aaron. I consider Neversin a reliable source and I have now updated the Gold chapter with this information - from Revamping the Experience to Black instead of Gold, as well as Acknowledgements. ;-)
SletI, too, have stumbled upon the configuration that hasn’t been quite mentioned on the website; it’s supposedly from January/February 1994:
Slethttps://prince.org/msg/7/69174
(via Neversin.)
Thank you very much. That track list gives sense to the radio tape. I'll add it to the feature as soon as possible. :-)
SletThe Gold chapter has now been updated from Revamping the Experience to Box Talk 777 with the new information as well as Acknowledgements. ;-)
SletThank you very much, and you’re most welcome!
SletWith all due respect,
The_Ride x
Hello. Would you be able to republish the chronological recordings of Prince list— at least, from 1993 to early 1994 ("The Dawn" era?). With that being said, thank you indescribably much in advance; excellent work, all in all! Frankly magnificent...
SvarSletWith all due respect,
The_Ride – the longtime reader of yours
Thank you for your comments and suggestions. I'm considering making a separate blog for the list of chronological recordings in the not too far future. ;-)
SletWow, that would be indeed wondrous; thank you immensely much for what you’ll have done!
SletAnd—as always—with all due respect…
AND... Here it is: https://chronologicalprincerecordingsindex.blogspot.com/
SletUPDATED 18 December 2020: Slight correections have been made about when O(+> recorded with Poet 99, Days Of Wild and how many songs he recorded with Nona Gaye. And O(+>'s own versions of Mad and Funky Design have been placed in November 1993. Thanks to TheSilentMikey. Also, a quote from Michael Bland has been added about the February 1994 performance of Shhh.
SvarSletUPDATED 28 December 2020: I initially left Purple Medley out on purpose, but now I decided to include it anyway. Look for its story in September 1994 and March 1995. Thanks to TheSilentMikey for inspiring me to include it.
SvarSletUPDATED 26 July 2021: Mention of the NPG Operator intro for Space has been moved from the April 1994 Gold configuration to the February 1994 configuration.
SvarSletUPDATED 16 April 2022: A bit of additional information about French singer Ophélie Winter's visit to Paisley Park was added to the Box Talk 777 section thanks to olb99.
SvarSletUPDATED 28 April 2022: The untitled February 1994 configuration was actually a combined Come single (the first three tracks) and The Vault Volume 1 from summer 1994 (which PrinceVault has listed as a Gold Eperience configuration). Thanks to TheSilentMikey for clarifying that and to VaultCurator for getting the ball rolling. I updated the comments to both the February and August 1994 configurations because of this and it all makes a bit more sense now. After careful consideration and consulting PrinceVault and recording dates in The Chronological Prince Recordings Index, the April 1994 configuration of The Gold Album was also moved to late January 1994 where it is now "untitled cassette" and it all makes a lot more sense.
SvarSletUPDATED 30 May 2022: A Ricky Peterson quote from Star Tribune about his work on The Most Beautiful Girl In The World was added at the beginning of this chapter.
SvarSletUPDATED 26 June 2022: A bit of additional info about Ophélie Winter in the Box Talk 777 section. Apparently Prince produced more songs with her besides a French version of The Most Beautiful Girl In The World and wanted her artist name to be Oliver.
SvarSletUPDATED 17 September 2022: The track times for the March and May 1994 configurations of The Gold Experience were uncovered by VaultCurator revealing that the Ricky Peterson co-produced version of The Most Beautiful Girl In The World was on the March configuration and the video version on the May configuration. Also, the NPG Operator segue preceding Billy Jack Bitch on the March configuration was moved to before Shy on the May configuration. Finally, a version of the March configuration had the NPG Operator segues tracked with the songs they preceded like the Poem segues on the released version of the Come album.
SvarSletUPDATED 3 January 2023: Additional comment from Ricky Peterson on his work on The Most Beautiful Girl In The World from Truth In Rhythm at the beginning of the chapter.
SvarSletUPDATED 10 January 2023: A quote about the recording of 319 by Michael Bland from a recent Truth In Rhythm interview was added in the opening "The Making Of Gold" section of this chapter.
SvarSletUPDATED 11 January 2023: A comment from Ricky Peterson about the album version of The Most Beautiful Girl In The World in the "The Gold Album becomes The Gold Experience" section and a comment from him about Gold "should've been huge" in "The release of the Gold Experience" section towards the end of this chapter.
SvarSletUPDATED 23 January 2023: Mention of the music video for Pussy Control in connection with the 1995 The Hate Experience EP. Thanks to me suddenly remembering the preview on the Gold Tour and then looking it up on PrinceVault.
SvarSletUPDATED 20 February 2023: At the end of this chapter, an interview quote by Morris Hayes about Days Of Wild has been inserted.
SvarSletUPDATED 8 March 2023: Comments about Rock and Roll Is Alive! (And It Lives In Minneapolis) were added just before the video link to that song.
SvarSletUPDATED 23 July 2023: Acknowledge Me was updated for the August 1994 Gold Experience configuration. The released versions of Endorphinmachine and We March made theIr debut Gold Experience inclusions on the October 1994 configuration. Thanks to THE ARTIST for bringing this vital information to me.
SvarSletUPDATED 4 October 2023: A quote from Rebecca Blake about the originally planned video shoot for The Most Beautiful Girl In The World was added to the section Eligible bachelor seeks...
SvarSletUPDATED 20 February 2024: We March was not updated for the October 1994 configuration of The Gold Experience, but for the 1995/final configuration and the text has been updated accordingly. Thanks to VasChristian.
SvarSletUPDATED 21-22 February 2024: Mention af a Dolphin single was added just after the August 1994 configuration of The Gold Experience. Thanks to JorisE73. Mention of a Dolphin promo cassette was added right after The Versace Experience in 1995 thanks to Mr.Z who pointed me to its PrinceVault entry.
SvarSletUPDATED 15 April 2024: Mention of Listen 2 The Rhythm was moved from the first two sections at the beginning of this chapter to the Putting Gold In The Vault section.
SvarSletUPDATED 21 June 2024: Mention of The Wild Experience EP was inserted right after the 13 October 1994 configuration of The Gold Experience. Thanks to Neversin.
SvarSletUPDATED 25 January 2025: A new Michael Bland quote about the recording of Now and Ripopgodazippa from Musicians Reveal Podcast was added to this chapter's second section titled More Gold Recordings.
SvarSlet